Showing posts with label brazilbrazil. Show all posts
Showing posts with label brazilbrazil. Show all posts

Wednesday, June 29, 2011

Photo



Levy Christiano, Brazil

Quite a goal I say, but as the old cliche goes, “If there’s a will, there’s a way.” Besides, they’ve still got quite some time, I just hope it’s enough for them to make it. My intestines would go wild if the Azkals make it to the 2014 World Cup in Brazil. (My intestines would burst if I make it to Brazil.)

And I salute them for introducing the world of football to the Filipinos. They brought sport into the scene and performed remarkably good for rookies in the big field. From now on, I’m looking forward to their matches and I hope they excel dramatically.

Go, Azkals! Go!





BR BIZ: French Food Fight (via BBC News - Carrefour and Casino fight for Brazil’s Pao de Acucar)



(via Brazil’s Congress: Paying for Consensus « Observing Brazil)

Will Future Ranchers Celebrate the Story of a Sacred Tree?:

I actually like this article mostly for the good description of the local Brazilian festival. I think the author gets a lot more vague when describing how she is working to reduce deforestation. I think some of the things described are good (realizing that local people depend on ranching and have an economic need to continue deforestation with their current ranching practices), but I think other ideas (getting paid not to cut down trees) are probably not long term realistic. I think that rehabilitating pasture and changing grazing practices to not exhaust pasture makes a lot of sense.



Levy Christiano, Brazil





Rio de janeiro



Tuesday, June 28, 2011

Ugh!!



South Atlantic crossing on the Heron

Becoming good at capoeira is not easy. Like anything worthwhile, excelling at capoeira takes lots of time, practice, and dedication. You cannot step into your first capoeira class and expect to leave doing backflips. Even if you’ve been playing for a number of years, there is always room for improvement. Sometimes we hit a “plateau” where we feel like we can’t progress any further. I’ve been there, we all have.

With this in mind, I’m going to try to give some advice on how to improve your capoeira game. Whether you are a beginner and feel like you could never even do a cartwheel, or an advanced capoeirista who has slammed into a wall, this advice will help you at any stage.

Stretch:

Capoeira is all about flexibility. The more flexible you are, the better you will be at capoeira, period. Flexibility will improve your body’s range of motion, allowing you to kick higher, bend further, and dodge quicker. When you stretch, you want to make sure to stretch all over. Being able to do the splits is wonderful, but if you can’t do a backbend then you’re really limiting yourself in capoeira.

You can stretch to warm up and to cool down. Like I said, don’t just focus on the legs and forget the arms, neck, or back; capoeira is a full body workout.

Strength Train:

We’ve all know what a great capoeira body looks like: it seems as if some capoeiristas were bred for this, with ripped abs, bulging pecs, and huge arms. Do you have to look like a superhero to play capoeira? Nope. But you do need to have a respectable amount of upper and lower body strength in order to perform many of capoeira’s basic (and advanced) movements.

By constantly stretching and building your strength, your capoeira game can go nowhere but up. You’ll also be improving your coordination, stamina, agility, and overall fitness. You can’t go wrong.

Practice the Basics:

This should be a no brainer, but lots of people lose sight of the basic techniques in their never-ending quest to learn more floreios. This is just as important for newbie capoeiristas as it is for veterans, there is never a point when it becomes ok to stop practicing the basics. I’m sure there’s something that could be improved about everyone’s armada, bencao, or even ginga. And if not actual improvement, it’s good to practice basic movements and get a feel for changing things up and developing your own style.

There is no better way of doing this than repetition and implemenation. The more you do armadas, the more it will become like a reflex. Even when it gets to the point of becoming a reflex, you should still practice and perfect it. You can do all the backflips in the world, but if you can’t do a queixada you’re no more a capoeirista than a gymnast.

Learn Portuguese:

Learning Portuguese will allow you to understand what your mestre is saying when he yells at you and points to a corner.

Watch Videos:

The best way to learn new moves and techniques is by training with people who can teach you. But sometimes this isn’t possible; maybe nobody in your class is that advanced, or maybe you just need to broaden your horizons and get new ideas. That is where watching videos comes in. Videos are an invaluable part of the capoeirsta strategy guide.

Ask Questions:

This is another point that might make you say “duh” but you’d be surprised how often people don’t ask questions (Faisca teach a class, so he know these things). Instead of blindly following what your mestre or instructor tells you, ask them questions. Ask why you put your hand in a certain place, or why you must twist a certain way.

Asking about a move might help you figure out why it doesn’t feel just right, or it might give you an idea about how to do something else. At the very least, you will probably get a better understanding of why the move is used and what situation to use it in. This isn’t middle school, don’t be afraid to “raise your hand.”

Visualize:

Capoeira is not a choreographed performance, but it doesn’t hurt to have some ideas about what you may want to pull off in the roda. I constantly find myself thinking about combinations, feints and counterattacks, etc. while going about my daily business. It helps to see myself do things before I actually try to do it, and if you have a good imagination you can pretty much know exactly how things will turn out (all you have to do is get your body to implement it).

This is a pretty simple piece of advice, and maybe something you already do, but it’s good to remember. Especially if you’re frustrated with a certain move and it’s all you think about, sometimes it’s good to focus on something totally different. Maybe when you’re thinking about how to flow from a kick into a macaco you’ll end up discovering the trick to figuring out something else entirely.

Interact in the Roda:

Scenario one: player one throws an armada, and player two, five feet away from player one, does esquiva. What?

Scenario two: player one and player two have a fast game going on, they both throw armada at the same time and their legs tangle together, ruining the flow. Ouch!

Scenario three: a medium paced game, player one shows a beautiful meia lua, player two just stands there and gingas. Do something!

How many times have you seen these scenarios or something similar? The most beautiful capoeira games occur when the capoeiristas interact with eachother, not when they do their own thing. I’ve heard the jogo described as a conversation. That is, when one player does a move he is asking the other player a question and expects an answer. The other player should respond to the original move in a way that makes the conversation flow. Don’t stand there when someone does meia lua; esquiva and then respond with another movement.

Always be aware of the other player, that is one of the most important things in capoeira, because you will be able to understand where he is trying to take the game and how you should respond in kind. I think that sometimes we forget how important interaction is in the roda. It isn’t a venue for individual show offs, it’s a conversation between friends.

Learn the Instruments:

Learning the instruments will allow you to free your mind and focus on something other than your frustration. Becoming good at the berimbau, and other instruments, is not easy and it takes much practice, but if you do learn the music you will be surprised at how much it will impact your game. You’ll have a much better understanding of what the berimbau is saying to you when you actually understand the language.

Challenge Yourself and Overcome Fear:

There is room for many fears in capoeira: fear of hurting yourself, fear of making a mistake, fear of looking foolish. Everyone has their own fears, and these fears hold us back and prevent us from becoming better capoeiristas.

I can’t tell you how to overcome your fear, but I can tell you that you need to come to terms with it, discover exactly what it is (if you don’t know already), then face it and overcome it.

An important aspect of overcoming a fear is challenging yourself. You’re afraid to do a macaco. Why? Do you think you’ll land on your head? Do you think you’ll look like a monkey (hint: you’re supposed to)? If you have fears holding you back, then just start small. Maybe the reason you can’t do a macaco is because your back is not flexible. Once you realize this, you can accept it and put yourself to the test.

Instead of going straight for the macaco, work on your backbends. Once you can get backbends by laying on the ground and lifting yourself up, work on moving into a backbend from a role, reaching over and doing the backbend without your back touching the floor. Once you overcome these challenges, and realize it’s not all that bad, you’ll have more confidence in your skills and you’ll be able to tackle the macaco.

Once you challenge yourself and overcome a fear, you’ll find that so many new doors will show themselves to you, and you’ll laugh at yourself for being scared to open them in the first place.

source : http://thecapoeirablog.wordpress.com/





Today: My Job and Me



Jess & Pedro Wedding Invitation Sample.



Jess & Pedro Wedding Invitation Sample.



The Royal Couple! XD



Butterfly eyes.. I took this at the Belo Horizonte Zoo in Brazil.

Ok so this is a brief apology on my part for being so incerdibly lazy and for only ever have written one post. I have actually embarked upon many soulful adventures but the one I am currently experiencing is too big not to document. I am currently sitting in a hostel In Salvidore, Brazil and I dont even know where too begin. Lets just say it involves: getting lost deep in the Amazon jungle, Fishing and eating Piranhas, witnessing my stepfathers top finger munched by the little bastard, being covered head to toe in bites from goodness knows what and… being a survivor of a hostage of Brazilian pirates held captive in a dark cellar with many other locals armed with guns and machetes!. Um yes you read correctly. BRAZILLLIAN PIRATES, GUNS, MACHETES and the whole deal. So where to start? You may not believe it but the hostage situation, although extremely terrifying and a great tale to tell, it is not the only tale of worth. I honestly dont know where to begin with my tales as there are simply too many to tell, so I suppose Il start from the beginning of my Brazillian travels and work my way through the many trials and trubulations  I have been ´blessed´to encounter and BLESSED to have made it out alive.

I know its an honest mistake, especially in Alabama because most people don’t know any better (bless their hearts), but just because I have black hair and brown eyes and slightly tanned skin does not mean I’m Mexican! So please stop coming up to me and attempting to speak Spanish to me or ask me what part of Mexico my family is from. It’s annoying and at times rather insulting. I’m half Brazilian!!!!! Not Mexican! And if I could speak a foreign language it would be Portuguese and not Spanish!

Jim Carey enjoying the view in rio de janeiro … everybody...





Fernando e Sorocaba



Luís Fabiano, United States v Brazil, Confederations Cup final, 28 June 2009



Feijoada, Brazil’s National Dish 

Day 08, Sao Paulo, Brazil

After getting off the plane from Rio back to Sao Paulo, my cousins brought me to Fidel, a delicious feijoada buffet restaurant. And let me tell you, this dish definitely deserves to be Brazil’s national dish and a meal to savor for the rest of the day. Originated from the days of slavery, feijoada was concocted by the brilliant cooks of wealthy plantation owners. African cuisine combined with Portuguese sausage linguica and Indian farofa (toasted manioc flour) created a heavy bean stew to give the workers enough energy. They would slaughter the pig and slice every part into one big pot with beans inside over a fire. Afterwards, they would fish out the most “delicious” parts for the plantation owners, accompanied with rice. The cooks, servants, and slaves would eat the other parts of the pig… the ears, the tongue, the tail, the nose, the hooves… you name it! To my surprise, these are the parts that make the feijoada soup the most rich and flavorful soup that I have ever had. This dish has forever changed my distaste for beans. This dish is definitely one to try when you visit Brazil. 

At Fidel, the slaughtered pig was neatly organized by part in each pot. I normally am not a big fan of pork, but dried pork is definitely delicious in Brazil. They really understand how to salt and prepare their meats before cooking them. I believe that feijoada has the power to turn a vegetarian into a carnivore. YES, it is that good. The consistency of the soup is everything that you want. It’s thick and rich, without being creamy. My mouth is watering as I recall the taste in my mouth for the first time. I only wish that meat was prepared the same way in the U.S. My conclusion after having feijoada is: don’t underestimate the taste of the “unappealing,” you may truly be missing out on the best meal of your life. 

Fidel

 

Avenida São Guálter, 921
Sao Paulo, 05455-001, Brazil
(0xx)11 2145-8453



Bus: Av. S. Gualter, 971



t 06.28.11



t 06.28.11

Belo Horizonte Brazil:

Going to Brazil on a missions trip. Spreading the gospel takes money, and we as a team, are believing God for $6,000 to be able to do so. Interested in sewing? The website is the link above. My name is Ymani Cross, if you would like to donate towards me, but otherwise my team will appreciate anything! Every dollar counts. Thank you and blessings in advance.

-Ymani H. Cross



 found by:
Antonio Coimbra
from
Aracatuba
Sao Paulo
Brazil

found:
Fruital
Minas Gerais
Aracatuba
Brazil
1967

text on photo:
“JOSE DA SILVA LEITAO, SON AND DAUGHTER
PHOTO TAKEN IN 1927

Worst congested cities:

Via



Jim Carey enjoying the view in rio de janeiro … everybody else enjoying the presence of Jim Carey :)

Monday, June 27, 2011

The State Park of Guarita was created in 1971 through the...

1 million likes and this guy will name his son JASPION



A hat for a Real Zombie Survivalist:

So a Zombie Survivalist needs supplies right? Only if you don’t want to DIE! I don’t go anywhere… ANYWHERE… without my outback hat… and the Real Deal Brazil hat is my hat of choice. Why do you say? Well… okay, I admit, it’s because it was in “Zombieland” and that movie was awesome! And when I say awesome I mean it the best damn comedy based zombie movie ever. It is the hat worn by Tallahassee (Woody Harrelson) throughout the entire film. A hat does not get much more awesome than that.

So I bought this hat and it is beautiful. It fits great, it looks like it’s ancient, and kids all say “Look at that cowboy Mommy!” You’re god damn right I love it! The chicks dig it, the dudes are jealous, and it keeps the sun and the rain out of my face. And when I need a little siesta, there it is to give me a dark room! What more could a Zombie Survivalist ask for?

Here are the sick and sweet details:

“The Real Deal is made in Brazil of recycled canvas tarpaulins from cargo trucks used for transporting goods. Every hat is truly one of a kind as no two are the same. Each hat has its own unique character. Made from various colors of tarp, these hats may have patches, seams, holes, or even Portuguese writing. These hats are hand sewn by Brazilian villagers and reflect the true craftsmanship of the locals.

Because the tarpaulins were designed to protect its contents from the rough elements in Brazil, they make perfect covers to shield your cabeחa (that’s head in Portuguese) from the hot summer sun. Every characteristic of The Real Deal tells a story of its prior life lived as a lonely truck tarp and reveals its journeys through the harsh elements in equatorial Brazil.”

http://realdealbrazil.com/







Torres - Rio Grande do Sul



Orthodox Cathedral in Sדo Paulo.



The State Park of Guarita was created in 1971 through the efforts of several local environmentalists seeking to protect this great geological setting and environmental landscape.

Torres - Rio Grande do Sul

Sunday, June 26, 2011

My photo of the view  from Christ the Redeemer of Sugar Loaf...



Another clip from TV news with some footage from Mangueira occupied by BOPE. It shows also some acts of resistance towards the police. BBC News website had a story saying “Most of Mangueira’s residents were said to have co-operated with the operation”. Yeah, were said, by whom?



My photo of the view  from Christ the Redeemer of Sugar Loaf Mountain - Rio De Janeiro, Brazil

Curitiba - Brazil





World’s narrowest house.

Madre de Deus, BA, Brazil.



Iguassu Falls, Brazil



Curitiba - Brazil



From the startlingly distinctive achievements of the internationally renowned twin-brother painters Os Gemeos to the visual powers of the ubiquitous daredevil Pichadores, Brazil’s graffiti captivates with entirely fresh ideas, techniques, and messages.Whether one’s taste is for the extraordinary creative extremes generated amid urban deprivation or for crafted murals at their most elaborate, Graffiti Brasil offers both stunning photography and in-depth history and insight.

Graffiti Brasil is the result of collaboration across three continents. Tristan Manco is from England, and is the author of the best-selling Stencil Graffiti and Street Logos. Caleb Neelon (SONIK) is an artist and writer from Boston, who has been traveling to and painting in Brazil since 1997. Ignacio Aronovich and Louise Chin are “Lost Art,” and have for many years documented the streets of Brazil from their home city of São Paulo. With graffiti worldwide becoming more homogenized, this book is a reminder of the strengths of creative independence and the rich fruits of cultural diversity.

Graffiti is art, advertisement is crime.



Iguazu Falls, Brazil





Manaus - Amazônia



The beach of love is located south of the beach in Pipa, Natal. Its name comes from her heart-shaped extension on the beach.Access to the beach is done through cliffs characteristic of the region.The water temperature is very nice and is a great place for a nice swim.

Praia do Amor - Natal, Rio Grande do Norte.



Curitiba - Brazil

fashion rio: agatha



Final de tarde na Lagoinha #praiadalagoinha #florianopolis #brazil #beach #sunset (Taken with Instagram at Praia da Lagoinha)



Brazil to Peru: Interoceanic Highway (via Peru’s new highway to the future - CSMonitor.com)



#florianopolis #praiadalagoinha #beach #brazil (Taken with Instagram at Praia da Lagoinha)

(images via ffw)

it always leaves me a little sad when bringing about the close of a particularly awesome fashion week, as rio de janeiro’s fashion rio has been, and it somehow seems a little suited that we’re seeing it end with the debut show of brazilian label agatha, whose s/s 2012 collection, it is said, is part of a repositioning to come out a higher-end more ‘fashion’-y brand. 

titled ‘da capo’, the range, according to ffw was inspired by (trans.) “a marking that indicates a need to return to the beginning”.  however, the jornal do brasil took it in a slightly different direction, stating that the (trans.) “summer collection of designer Ceiça Gioielli was inspired by natural elements like sand, plaster, clay, feathers and leaves, printed on digital prints and scored in the color chart.”  drawing from both and looking at the clothes themselves, i think we can say it was sourced from earthy influences and leave it there. 

quite a lot of materials were employed for the collection, often giving the pieces an almost collage-like appearance of mixed textures, with the jdb pointing out that it (trans.) “means flexibility and fluidity, and hardness and stiffness.”  python skin, macrame, silk georgette, leather, organza, nylon, satin silk, and gazar were used, with techniques of quilting, embroidery, fringing, and crochet used to give detail, while embellishments such as sequins and feathers were added. 

the colour palette stayed mostly natural—white, off-white, and shades of sand were the most commonly seen, but flashes of silver and green broke through as well (the python bathing suit debora muller wore, above, being a particular highlight).  volume and layers were key trends of the day, with the overlapping textures, as mentioned previously, another important motif. 

dresses were the key runway item, though there were several pairs of boyshorts, some voluminous trousers, and a couple of jackets.  and although lengths usually fell above the knee, emphasizing a sort of jungle sexuality (incidental rather than particularly pushed, except in a couple of cases, as with the cropped top-and-shorts combo second on the catwalk and rather a dud), there were a few maxi-lengths as well. 

in truth, on the whole, i found it an impressive display, from the concentrated techniques of the clothing, to the care and love obviously injected into many of the pieces.  if there has been a lot of ‘urban tribalism’ going around this season, with a sort of reverence for the seventies bohemian-love, then agatha certainly got that right.  the knee-high crocheted gladiator sandals and strung-together looking jewelry helped to pull the aesthetic together without pushing it into costume territory. 

on the other hand, however, there were a few missteps.  for example, in the cases of the shredded…denim?…it felt the designers were taking a moment to idly address a trend rather than following the direct path of their theme.  this problem cropped up a couple of times in other specific instances.  but on the whole, especially for a ‘newer’ label, the work was remarkably complete, and as even the particularly skilled have their moments of weak fancy, one can’t fault them too strongly.  it remains to be seen where they might go, but one hopes they might stay on the path of urban/natural eclecticism for at least a little while to come, given the reach of their ideas. 

(watch the full runway show video here)